Roses Have Thoughts

Clocking in at just over two hours “Summerland” is a film that left me with mixed emotions and conflicting thoughts. While I couldn’t help but fall in love with the cinematography, which captures the picturesque landscapes of the English seaside beautifully, the narrative failed to reach the same compelling and engaging levels, while the choppy pacing resulted movie that felt much longer than it needed to be.

One of the film’s redeeming qualities is the strong performance of Gemma Arterton, who plays Alice, a reclusive writer during World War II. Arterton brings depth and authenticity to her character, providing a nuanced portrayal of a woman grappling with personal demons. Unfortunately, the same cannot be said for the supporting cast, as many characters lack the development needed to establish a meaningful connection with the audience.

The plot centred around Alice’s unexpected guardianship of a young evacuee named Frank, is riddled with predictable twists and turns. The initial promise of exploring the complexities of wartime relationships and unconventional family dynamics falls flat as the narrative unfolds in a formulaic manner. The film’s attempts to inject suspense and drama into the storyline often feel forced and contrived, diminishing the impact of pivotal moments.

Despite its period setting, “Summerland” struggles to capture the true essence of the era. While the costumes and set design are meticulously crafted, the film fails to immerse the audience in the historical context. The wartime backdrop serves more as a backdrop than a driving force behind the characters’ motivations and interactions, leaving the overall thematic exploration feeling superficial.

One notable aspect of the film is its emphasis on the power of storytelling and imagination as a means of coping with adversity. Alice’s profession as a writer and her estrangement from the community play into this theme, but the execution feels heavy-handed at times. The film’s insistence on driving this point home detracts from the subtlety and nuance that could have elevated the narrative.

The soundtrack, composed by Volker Bertelmann, adds a layer of emotional resonance to certain scenes, but it isn’t enough to salvage the film’s shortcomings. The score, while fitting, cannot compensate for the lack of a cohesive and engaging storyline.

In terms of visuals, “Summerland” excels in capturing the idyllic landscapes of the English countryside. The sweeping shots of the coastline and quaint village life provide a picturesque backdrop, creating a visually pleasing experience. However, the film’s aesthetic appeal is not enough to mask its narrative deficiencies.

Ultimately, “Summerland” falls short of its potential, unable to weave a compelling narrative amidst its visually appealing exterior. While Gemma Arterton’s performance is a standout, it’s not enough to overcome the film’s predictable plot, underdeveloped characters, and lack of historical depth. Despite its moments of emotional resonance and a picturesque setting, “Summerland” fails to leave a lasting impression and struggles to hold the audience’s attention throughout its runtime.

IMDB