Buffaloed delivers a scrappy, energetic tone that is engaging, though it occasionally overreaches. Like its protagonist, the film relies on personality, sometimes faltering but maintaining confidence. Tanya Wexler directs with a strong focus on the lead’s charisma, a choice that is largely effective.

Zoey Deutch portrays Peg Dahl, a fast-talking dreamer who sees opportunity where others see obstacles. Deutch’s energetic performance, including frequent direct addresses to the audience, draws viewers into Peg’s relentless pursuit of financial independence. While occasionally overwhelming, her portrayal remains consistently compelling.

The film opens with a look at Peg’s background and her early determination to escape Buffalo’s challenging economy. When her plans fail, she turns to debt collection, a morally ambiguous but lucrative field. The narrative follows a familiar rise-and-fall arc, reminiscent of The Wolf of Wall Street, though on a smaller scale.

Wexler directs with a light, energetic touch, favouring brisk pacing and playful visual flourishes. Split screens, cheeky asides, and whip-smart editing keep the film moving at a clip, even when the script begins to circle familiar territory. There’s a sense that the film knows its influences and isn’t shy about borrowing from them, though it never quite transcends its inspirations.

The supporting cast adds texture, if not always depth. Jai Courtney plays Peg’s chief rival with a smirking menace that borders on caricature, while Judy Greer brings a welcome note of warmth and groundedness. Yet these characters often feel like satellites orbiting Peg, rather than fully realised figures in their own right.

Buffaloed succeeds largely due to its tone, blending bold humour with an underdog spirit that offsets its predictability. Brian Sacca’s script features clever dialogue and self-aware humour, though it occasionally depends too heavily on narration. Peg’s frequent commentary sometimes explains rather than shows key moments.

It is refreshing that the film does not attempt to present Peg more favourably than she is. She is not conventionally likeable; she is pushy, blunt, and often makes questionable decisions. However, the film seeks understanding rather than justification. In doing so, it offers an authentic perspective on ambition and its effects.

The film falters in its final act, opting for a conventional ending that does not align with its earlier unpredictability. After the preceding chaos, the emotional resolution lacks impact. The film, having celebrated Peg’s rebellious nature, ultimately restrains her.

Despite its flaws, Buffaloed remains enjoyable. The film is driven by energy and personality, and while it may not be memorable, it provides enough humour and spirit to merit viewing. Deutch stands out as a strong lead, maintaining cohesion even when the film wavers.

Ultimately, Buffaloed mirrors its protagonist: bold, imperfect, and at times excessive, yet difficult to ignore. While not a masterpiece, it demonstrates considerable spirit.

IMDB