Alien (1979)

Alien (1979)
Alien

Synopsis: After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crews attacked by a mysterious life form, and they soon realise that its life cycle has merely begun – Alien

Director – Ridley Scott

Starring – Sigourney Weaver, Tom Skerritt, Veronica Cartwright, John Hurt

Genre: Horror/Sci-Fi

Released: 1979

Rating: 5 out of 5.

Just two years after Star Wars reinvented the sci-fi genre, Ridley Scott transported us to the Nostromo and made a different but just as influential space movie and one that finally made aliens and being alone in space as scary as it should be. Taking inspiration from the campy B-movies of the ’50s and ’60s, Alien takes place onboard an interstellar towing vehicle that intercepts an S.O.S call and is obliged to check it out. But the derelict spacecraft they discover contains more than they bargained for in the form of a parasitic alien menace that rips its way through the crew, leaving Ripley (Weaver) the ultimate final girl left to defeat the menace, or at the least escape alive.

Alien
Alien

Alien was groundbreaking in the way that it introduced a new breed of creature genre, one that went on to become one of the most iconic found in cinema, which is impressive given just how little screen time is devoted to it, instead, Scott leaves it up to the audience to create the monster in their mind, up until the moment it quite literally explodes onto the screen.

Unlike in Scott’s later films in the shared universe such as Prometheus, this time the small ship’s crew and wonderful mixture of close-ups and wind angle shots combine to produce a claustrophobic and suffocating atmosphere, while the wonderful mix of British and American talent, including Weaver in her breakout performance, make every scene a delight.

Alien

All the above makes Alien one of horror’s most iconic films. One where the terror doesn’t stem from the alien so much but the atmosphere which so effectively gets under the viewer’s skin and leaves you thinking about it long after the credits roll in much the same way as John Carpenter managed when making The Thing and James Cameron built upon with Aliens.

IMDB

Responses

  1. […] Scott’s Prometheus is an ambitious and visually arresting return to the universe of Alien, delivering a heady blend of science fiction, horror, and philosophical inquiry. While the film […]

  2. […] The only real downside for me is the change from sci-fi/thriller into a horror film in the final third, a change that not only takes away from the excellent work the cast and crew put into building up pressure and tension but also just really fit and has been done better in other films, namely Alien: Covenant and Alien. […]

  3. […] it’s clear that Anderson took inspiration from iconic horror films, with shades of Alien, Hellraiser, The Shining and even The Amityville Horror all to be found as the movie slowly […]

  4. […] some later Alien sequels were nowhere near the excellence of the original movie, I was still excited when it was […]

  5. […] have journeys feel cut shot and thus removes the sense of isolation that you got in films such as Alien or Event Horizon. Though I doubt fan Paranormal Activity or The Blair Witch will mind as long as […]

  6. […] One thing I love best about the horror genre is its ability to push boundaries, and The Hunt is a film that’s will to do just that, first is its willingness to attack all sides of the political spectrum, but also the decision to make the lead character a bad-ass, cool and funny female, who you’d definitely want on your side in a fight. played excellently by Gilpin, channelling her best Ripley in Alien. […]

  7. […] the church spear and glass beheading, all of which are on par with the chest-busting scene in Alien and the transformation scene in An American Werewolf in […]

  8. […] some ways it is, but I wouldn’t put it up there with the likes of The Terminator, Rambo, or Alien franchises, which still going strong till this day despite pretty awful […]

  9. […] If you liked: Escape From New York, Outland, Alien […]

  10. […] One thing I love best about the horror genre is its ability to push boundaries, and The Hunt is a film that’s will to do just that, first is its willingness to attack all sides of the political spectrum, but also the decision to make the lead character a bad-ass, cool and funny female, who you’d definitely want on your side in a fight. played excellently by Gilpin, channelling her best Ripley in Alien. […]

  11. […] have journeys feel cut shot and thus removes the sense of isolation that you got in films such as Alien or Event Horizon. Though I doubt fan Paranormal Activity or The Blair Witch will mind as long as […]

  12. […] The only real downside for me is the change from sci-fi/thriller into a horror film in the final third, a change that not only takes away from the excellent work the cast and crew put into building up pressure and tension but also just really fit and has been done better in other films, namely Alien: Covenant and Alien. […]

  13. […] Kristen Stewart continues to go from strength to strength, being a great focal point for the audience to follow as the survivors attempt to reach safety and avoid the monsters that are attacking them, with the rest of the group all hitting all the right keys and given the right amount of development to make you care enough about them and feel sad when some don’t make it. after all Underwater is half disaster movie and half horror, think The Poseidon Adventure meets Deep Rising, with hints of Alien. […]

  14. […] film, with the people going in expecting something closer in tone to Annabelle Comes Home or even Alien possibly feeling a little disappointed, instead if you go in expecting a survival-thriller closer […]

  15. […] some of the later Alien sequels were nowhere near the excellence of the original movie, I was still excited when it was […]

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